THE RAPTUS shot plan

SHOT 1: STARTS OUT OF FOCUS, GETS IN FOCUS. WINDOW.FOUREYES WALKS INTO THE PHOTO AND STARES INTO CAMERA. FADES TO WHITE.
SHOT 2: LOW ANGLE, JUDE WALKING INTO THE HOUSE, ESTABLISHING HIM AS THE PROTAGONIST.
SHOT 3: LOW ANGLE, GEORGIE WELCOMING JUDE BACK, EMPHASISES HER FRAGILITY.
SHOT 4: MEDIUM SHOT, JUDE WALKING IN THE FOREST.
SHOT 5+6: BRIAN WALKS IN HOUSE. IS UNDERCOVER. HENCE THE LACK OF UNIFORM
SHOT 7+8: OVER THE SHOULDER SHOTS. JUDE TALKING WITH BRIAN, EMPHASISING DARK PAST.
SHOT 9: JUDE SITTING ON THE SOFA, LOOKING DEPRESSED.
SHOT 10: CLOSE UP, LETTER COMING THROUGH THE BOX.
SHOT 11: LOW ANGLE, LETTER FALLS ONTO CAMERA.
SHOT 12: LOW ANGLE, JUDE WALKS TO IT.
SHOT 13: JUDE PICKS IT UP, HIGH ANGLE EMPHASISES VULNERABILITY.
SHOT 14: OVER THE SHOULDER, JUDE READS THE LETTER.
SHOT 15: LOW ANGLE, JUDE’S REACTION.
SHOT 16: CLOSE UP, THE LETTER FROM THE LEGION.
SHOT 17,18,19,20: THE RAPTUS COMING IN AND ATTACKING JUDE.
SHOT 21: JUDE PUNISHING HIMSELF.
SHOT MONTAGE (10-20 SHOTS): JUDE WALKING, CONTRASTED AGAINST FOUREYES WATCHING HIM.
SHOT 35+36: JUDE MEETS MORTY.
SHOT MONTAGE: (5-10 SHOTS): EVERY CHARACTER BUT JUDE AND THE RAPTUS, IMPLYING THE COMPLEXITY OF THE FILM.
SHOT 44: JUDE ASKING THE RAPTUS WHAT HE WANTS, ZOOMS OUT, SHOWING THAT HE IS THERE.
SHOT MONTAGE (10-20): CONTRASTING JUDE DISCOVERING SOMETHING IN THE WOODS (UNSEEN) AGAINST NIGHTMARE IMAGES OF THE RAPTUS.
SHOT 59: FADE IN AND OUT OF FOUREYES WATCHING HIM.
SHOT 60: FADE IN AND OUT OF THE RAPTUS KNOCKING ON THE DOOR.
SHOT 61: EXTREME CLOSE UP OF RED’S EYES.

(END WITH TITLE, CREDITS, WEBSITE LINKS, PRODUCTION LOGO)

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